Diary of a Madman (1963)
The DVD cover of this film describes it as “the most terrifying motion picture ever created.” While it’s true that this film starred Vincent Price at the time of his reign as king of the horror pictures, I could name several motion pictures which were scarier. Nevertheless if you watch the film late at night, with the lights out and the sound up, the
film will give you a bit of a fright.
In 19th century France, Magistrate Simon Cordier (Price) sentences a man to death for committing several murders. The murderer claims that he did not recall the murders and that he is possessed by an evil being called the “Horla.” While speaking with the magistrate, the murderer suddenly becomes demented and attacks him. During the struggle, the murderer dies. A short time after this, the horla begins visiting the magistrate.
The horla is an interesting monster. He is invisible, physically quite strong, has the ability to read minds, and can bend the will of his victims. And usually, the Horla wants his victims to kill others.
Nancy Kovack plays the female lead in this film. She appeared mostly on television shows in the 1960s and 70s. Her biggest movie role was in Jason and the Argonauts as Medea. In Diary of a Madman, she plays Odette, a schemer married to a promising but poor artist. Odette wishes to advance her station and pursues the magistrate.
Vincent Price gives a very admirable performance. He is much more restrained in this role than in many of the other films he made at this time, and I felt great empathy for him and found myself rooting for him to defeat his powerful foe.
The photography in this film is beautiful. In addition to the rich color, I loved the sets and the costumes. I recommend this film, which is new to our collection.
The Big Heat (1953)
In this crime drama, Glenn Ford plays Detective Sergeant Dave Banion, an honest and tough cop in a city run by criminals. At the beginning of the film, a policeman commits suicide and leaves a letter for the district attorney detailing his involvement with high ranking criminals and dishonest public officials. His widow, Bertha Duncan (Jeanette Nolan), finds the letter but instead of turning over to the DA, uses it to blackmail the highest ranking criminals in the city. When Banion investigates the suicide, he notices some inconsistencies in the widow’s statements and decides to investigate further.
Eventually the trail leads him to Vince Stone (Lee Marvin) and his girlfriend Debby Marsh (Gloria Grahame). Stone is one of the high ranking criminals, a vicious and sadistic thug who likes to torture women. Debby is in love with him, but hates it when he abuses her and other women. Debby takes an interest in Banion after he roughs up one of Stone’s goons after Stone assaults a woman in a bar.
Ford gives his usual top notch performance. Grahame’s performance is excellent as is Jeanette Nolan’s as the shrewd and malicious Bertha Duncan. Marvin is also very good as the vicious and sadistic Vince Stone.
This is a fast paced movie and for those who like crime dramas, it is one of the best. For more about the film, check out TCM.
Almost two years ago I wrote about 1939 being the most celebrated year in American film history. After seeing that Jubal did not receive any academy award nominations, I did a little research on 1956.
1956 was a most spectacular year as well. The Searchers – one of best American films of all time, Bergman’s classic The Seventh Seal, Invasion of the Body Snatchers – one of the best sci-fi movies of all time, the classic Moby Dick – all came out in 1956 and none of them received an academy award nomination.
What were some of the films that did receive awards and/or nominations in 1956? Around the World in Eighty Days, Friendly Persuasion, The King and I, Giant, The Ten Commandments, Anastasia, Lust for Life, Richard III, The Rainmaker, The Bad Seed, The Man Who Knew Too Much, and Forbidden Planet.
That’s quite a list. With one exception, Indian Prairie has all of these fine films in its collection.
Rancher Shep Horgan (Ernest Borgnine) saves drifter Jubal Troop (Glenn Ford) from freezing to death and takes him to his ranch. Shep is a big happy puppy dog of a man who takes an instant liking to Jubal and hires him on as a ranch hand. Jubal, who has had a troubled past, forms a friendship with Shep and later reveals the only man he ever previously trusted was his father. Eventually Shep promotes Jubal to ranch foreman.
Jubal’s immediate future looks good but there are two significant obstacles to his future happiness. One of them is Shep’s wife Mae (Valerie French), who has been unfaithful in the past and now sets her sights on Jubal. His other problem is “Pinky” Pinkum (Rod Steiger) a malicious ranch hand who hates everyone (himself included).
Jubal has much to recommend it. The musical score is hauntingly beautiful. The cinematography is gorgeous. And Rod Steiger gives a compelling performance. I was somewhat surprised to discover that this film did not receive any academy award nominations.
I strongly recommend this film. Check back on Friday for our spotlight on other films released in 1956.
The Lone Star Trail (1943)
Indian Prairie recently acquired Johnny Mack Brown: classic westerns collection. Of the four movies, this is the best.
Johnny Mack Brown was a star football player at the University of Alabama in the 1920s. His good looks got him a start in Hollywood in the late 1920s. At first his career appeared to be taking off as he starred with Hollywood heavyweights such as Mary Pickford, Joan Crawford, Jean Harlow, and Clark Gable. In the early 1930s though, he began regularly making “B” westerns.
The plot for Lone Star Trail is a fairly standard one. Rancher Blaze Barker returns to the town of Dead Falls to clear his name after spending two years in prison for a robbery he didn’t commit. The actual robbers do what they can to either send him back to prison or to kill him. Comic relief is provided by veteran actor and sidekick Fuzzy Knight.
Of particular interest in this film is that one of the “bad guys” is played by a future Hollywood legend very early in his career. Even if you don’t like westerns, it would be fun to watch the first few minutes of the film to see if you can identify him (if you’re impatient, just click here).
Hangman’s Knot (1952)
Around the end of the Civil War, Major Matt Stewart (Randolph Scott) leads a successful ambush against a Union gold wagon. After wiping out the Union guards, they find out the war is over. Instead of an act of war, Major Stewart and his men will be regarded as murderers and robbers. Their last chance to prove their innocence is destroyed when Rolph Bainter (Lee Marvin) kills their liaison, a man who could have informed Major Stewart of the war’s end, but chose not to because he wanted the gold for himself.
Things go from bad to worse when a collection of armed riffraff masquerading as peace officers get on their trail and trap them in stagecoach station. Molly Null (Donna Reed) and Lee Kemper (Richard Denning) are stagecoach passengers. Molly is an army nurse with a strong sense of duty. She initially despises Major Stewart as she regards him as a murderer and thief. Kemper has been wooing Molly but she has proved hesitant because she is suspicious of his character.
This is the first movie in which Lee Marvin had a significant role and he does a good job of playing a coldblooded killer, a role he would repeat many times in his film career. There is plenty of action and drama in this movie, numerous plot twists, fine acting, and gorgeous photography. I strongly recommend it.
Appointment with Danger (1950)
This 1950 film noir stars Alan Ladd, Phyllis Calvert, and Paul Stewart. The plot is pretty hokey and the first few minutes of the film seem like an infomercial for the U.S. Post Office, but this film gets very entertaining very fast.
Two thugs murder a U.S. Postal Inspector and then dump his body. A nun (Calvert) inadvertently sees the thugs. Al Goddard (Ladd), another U.S. Postal Inspector, investigates the murder by first locating the nun. After he finds her, he tracks down one of the killers and subsequently infiltrates the killers’ gang.
There is plenty of snappy dialogue and a lot of funny lines. Goddard is a hard and determined man and is accused by a fellow officer of being inhuman and without feelings. The fellow officer says to Goddard, “You don’t know what a love affair is.” Goddard replies, “It’s what goes on between a man and a .45 that won’t jam.”
Ironically, this film stars Jack Webb and Harry Morgan as the killers. Just two years later, Webb would begin starring on television as Detective Joe Friday on Dragnet. And in the late 1960s, Webb would team with Morgan again when Dragnet returned to television – and they dressed in just the same style as they did in the 1950 film.
I saw this film for the first time last summer and I liked it so much that I saw it again this winter. If you like old movies, this is a good one, and if you don’t, you may like it anyhow.
The Killers (1946)
This 1946 film noir starring Burt Lancaster, Ava Gardner, and Edmond O’Brien is based upon the Ernest Hemingway short story of the same name. The first several minutes of the movie closely follows the Hemingway story of two hired killers who come to a small town to kill “the Swede” (Lancaster), but where the story ends, the movie continues. The story provided no explanation as to why anyone wants the Swede to be killed, nor does it explain who hired the killers.
The movie provides these answers and more as we follow Jim Reardon (O’Brien), an insurance investigator who is curious as to why Swede did not try to escape after being warned about the killers. Through a series of flashbacks, Swede’s story is told by a host of characters.
This movie should be on every “film noir” fan’s “A” list. It’s a great story with fine acting. The Killers received four Academy Award nominations and probably deserved more. One of the musical themes was subsequently “borrowed” by the television show Dragnet.
In addition, I would like to say a few words about Indian Prairie’s copy of the The Killers, which contains two DVDs. The second DVD contains the 1964 version of The Killers starring Lee Marvin, Clu Gulager, John Cassavetes and Angie Dickinson. This version is not really a remake of the 1946 movie but rather a telling of the story in a different way. In fact, the 1964 version is not film noir at all as it was made for television. It is an excellent film and worth watching as well.
There are also loads of special features including a reading of the actual Hemingway story, a discussion of the making of the films, a discussion of film noir, and much more.
Union Station (1950)
In this film noir, secretary Joyce Willecombe (Nancy Olson) grows suspicious of two men boarding her train. She sees that one of them is carrying a concealed pistol and is referred to Lt. William Calhoun (William Holden), head of the Union Station police. Although initially skeptical, Lt. Calhoun soon discovers that the two men have kidnapped Lorna Murchison, the blind daughter of Joyce’s wealthy employer, and are holding Lorna ransom for $100,000. How he goes about pursuing the kidnappers makes for one entertaining movie.
Both William Holden and Lyle Bettger give great performances. During his career, William Holden won an Academy Award and was nominated on two other occasions. One of those nominations came for his performance in Sunset Boulevard (also 1950), which may explain why he was not nominated for Union Station.
Lyle Bettger, who often played villains, plays one of the kidnappers. I don’t think he ever gave a better performance. He was one of the nastiest villains you’ll ever see in a 1950s film.
The film has two very exciting chase scenes, both of them on foot. While I am not ordinarily a fan of foot chases, the interesting locations will keep you intrigued. The film contains a shocking police interrogation of one the suspects. Also of interest is that part of the film was shot on location in 1950s Chicago. The musical score is well adapted to the film and helps drive the action.
This movie will definitely keep you on the edge of your seat.
Find out more about the film on TCM.com.
The Bad Seed (1956)
The Oscar-nominated movie is based on the book and the play with the same title. It follows both fairly closely with the exception of the ending. Most of the actors were performers in the play before doing the movie. I won’t describe the plot at all because the movie is much more enjoyable if you don’t know what’s going to happen – don’t even read the back cover.
Don’t be put off by our description of the film as a “horror film.” You won’t find any monsters or vampires or witches or even the devil in this movie. You won’t even see a drop of blood. What you will see is some great acting, a film that will make you cry and make you laugh, some very suspenseful moments, and a very unusual ending.
Although Henry Jones did not get an Oscar nomination, he plays one of the most memorable characters I have ever seen and he has some of the most memorable lines. 10-year-old Patty McCormack gives a brilliant performance. In fact, all of the actors (including Nancy Kelly, Evelyn Varden, and Eileen Heckart) give wonderful performances.
If you haven’t seen this film before, do so; and if you can, watch it with someone else as the story is a very thought-provoking as well as entertaining.